Faery Wicca

Also referred to as the fae, fey, feri, faerie, fairy, and fairie tradition. Founded by Victor and Cora Anderson in the mid-late 1950’s, when they were inspired to form their own tradition after reading a book by Gerald B. Gardner “Witchcraft Today”. Anderson was responsible for writing most of the tradition’s rituals, which he initially based on fairy folklore and beliefs, he is still universally recognized as the Grand Master of the Faery Tradition. In 1959, Victor initiated the late Gwydion Pendderwen, who then aged 13, would later become a leading voice in the Faery Tradition.

An old African priestess initiated Victor Anderson into Witchcraft in 1926, they practiced a form of Witchcraft with Huna and African influences, and which was primarily Dahomean-Haitian. Anderson is now one of the last genuine Kahuna. Some of these earlier influences he incorporated into the new Faery tradition. Pendderwen after visiting with an Alex Sanders coven in England, incorporated material from the Alexandrian Book of Shadows. Today the tradition has evolved and contains of a mixture of Green Wicca, Celtic and Druidic practices, as well as modern Witchcraft.

The Faery Tradition honors the Goddess and Her son, brother and lover (The Divine Twins) as the primary creative forces in the universe. The Gods are seen as real spirit beings like ourselves, and not merely aspects of our psyche. The tradition is an ecstatic tradition, rather than a fertility tradition with emphasis on polytheism, practical magic, self-development and theurgy. Strong emphasis is also placed on sensual experience and awareness, including sexual mysticism, which is not limited to heterosexual expression.

This is a mystery tradition of power, mystery, danger, ecstasy, and direct communication with divinity. Most initiates are in the arts and incorporate their own poetry, music and invocations into rituals. The Tradition is gender-equal, and all sexual orientations seem able to find a niche. According to Francesca De Grandis, founder of the 3rd Road branch: “Faerie power is not about a liturgy but about one’s body: a Fey shaman’s blood and bones are made of stars and Faerie dust. A legitimate branch of Faerie is about a personal vision that is the Fey Folks’ gift to a shaman”. Initially small and secretive, many of the fundamentals of the tradition have reached a large audience, mainly through the writings of Starhawk, the tradition’s most famous initiate. Some secret branches of the tradition remain but while only a few hundred initiates can trace their lineage directly back to Victor Anderson; many thousands are estimated to practice neo-Faery Traditions.

Faery WiccaVictor H. Anderson (1917 – 2001)

He was born May 21, 1917 to parents Hilbert and Frances in Clayton, New Mexico. He was delivered by his father on their ranch. After several years of meeting on the astral plane, Victor met his wife, Cora in person in Bend, Oregon in 1944. Recognizing each other immediately, they married three days later on May 3rd.

Victor was an accomplished poet and the author of Thorns of the Blood Rose, a modern classic book of Goddess poetry and liturgy first published in 1970, as well as numerous articles on the Feri (Faery) Tradition and Huna. In 1975, he won the Clover International Poetry Competition Award. He was a contributor to Witch Eye, Green Egg and Nemeton magazines.

Victor and Cora are well known as the Grand Masters of the Feri Faith of the Old Religion. Victor was one of the last Kahuna and a Bokor. An extraordinary shaman and priest, he was a member of the Harpy Coven in the 1930s in southern Oregon. Victor and Cora initiated some of the most influential voices in contemporary Paganism, including Starhawk and the late Gwydion Pendderwen.

An accident during childhood left Victor almost totally without sight. As a result, he attended a school for the blind in Oregon. Largely self-educated, Victor had a profound love of physics, chemistry, literature and world spiritual traditions. He was an avid reader, storyteller and brilliant linguist who spoke numerous languages, among them Hawaiian, Spanish, Creole, Greek, Italian, Gaelic and Dahomean.

He was gifted with a beautiful voice, loved to sing and was adept on the drum. During his adult life, Victor earned his livelihood as a musician, playing the accordion at public and private dances. He was a member of the Fraternal Order of Eagles, Alameda Lodge for 40 years.

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